In addition to all this, you can work on the breadth of the stereo picture of your material. You will find this knob in the bottom module. Thanks to it, you can drive more signal to the compressor but simultaneously lower the output and vice versa. Headroom is another unique feature that this version of the plugin has received. The first will give you more expressive high frequencies, the second will give you the midrange, and the third will give you the low-end. In particular, there are three modes: Nickel, Iron, and Steel. Īnother great feature is that you can experiment with different flavors of Output Transformers sound. This feature will give you twenty flavors of analog compressor sound that you can apply to the right and left channels.
In particular, there is the patented Brainworx Tolerance Modeling Technology. If you look down, you’ll see a whole module that wasn’t in the previous plugin. As for the second one, it has Attack, Recover (which is a release), and Ratio. The former has only Threshold and Gain controls. You can use Optical Compressor for dynamics and Discrete for a more punchy effect. Also, the plugin has three flavors of Output Transformers and, unlike its predecessor, a whole BX module with quite a few feats underneath. Īll in all, you get Optical and Discrete compressors and the ability to work in different modes. But now we will show you the updated version, which is Mastering Compressor Class A. Essentially, it emulates the exclusive Shadow Hills compressor produced in only 50 copies.
The previous version of this plugin has proven itself among professionals since 2011. Mastering Compressor Class A from Shadow Hills and Brainworx will help you get punch and clarity during mastering. 33 Readings that you may like: Shadow Hills Mastering Compressor Class A By Brainworx
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